Led Zeppelin IIIJapanese-only SHM-CD (Super High Material CD) paper sleeve pressing of this absolute classic album from the Rock legends, originally released in 1970. SHM-CDs can be played on any audio player and delivers unbelievably high-quality sound. You won’t believe it’s the same CD! Universal. 2008.After plundering the Yardbirds’ legacy and Willie Dixon (among others) for their blues-riff-heavy first two albums, Jimmy Page and company surprised many listeners with the strong acoustic/folk sensibility displayed on III. Page aficionados shouldn’t have been caught off guard; the guitarist had toyed with similar sensibilities and modalities during his brief tenure with the Yardbirds (most notably “White Summer” from the Little Games album). Ever the creative thieves, Zep kick off the album by nicking the riff from “Bali Ha’i” no less, with Robert Plant wailing it to punctuate the thundering FM warhorse “Immigrant Song.” Even other electric rockers like “Celebration Day” and “Out on the Tiles” have an inventive, offbeat musicality to them that suggest the band was already wary of stereotyping. But it’s the decidedly mellower acoustic groove of the album’s latter half that’s the news here, from the graceful beauty of “That’s the Way” and “Tangerine” to the raw, folksy charm of “Bron-Y-Aur Stomp,” “Hats Off (to Roy Harper),” and the traditional “Gallows Pole.” –Jerry McCulley
Houses of the HolyJapanese-only SHM-CD (Super High Material CD) paper sleeve pressing of this absolute classic album from the Rock legends, originally released in 1973. SHM-CDs can be played on any audio player and delivers unbelievably high-quality sound. You won’t believe it’s the same CD! Universal. 2008.Buoyed by the runaway commercial success of Led Zeppelin IV, Jimmy Page used this 1973 follow-up to hone his already impressive production skills, and the result was a collection sporting an impressively expansive sound. Benefiting–especially on tracks such as “Dancing Days Are Here Again,” “The Crunge,” and “Over the Hills and Far Away”–was Zeppelin’s always underrated rhythm section: thunder-fisted drummer John Bonham and rock-solid bassist John Paul Jones. Jones also emerged here as a secret weapon on keyboards with his subtle work on more pensive fare such as “No Quarter” and “The Ocean.” And the goofy “D’yer Ma’ker” showed that Zeppelin had more of a sense of humor than most people ever gave them credit for. –Billy AltmanRobert Plant once said that a chunk of the Zep catalog was “music for hippie bookstores.” While much of Houses of the Holy thumps hard enough to knock the incense holders off the speakers, the generally upbeat vibe makes this a great choice for playing on the first (dancing) day of spring, windows flung wide open as Jimmy Page’s lead lines soar out over the neighbors’ rosebushes. Plant is at his most lovey-dovey here, whether updating Chuck Berry on “The Ocean,” extolling the virtues of his Page 3 girl on “The Crunge,” or writing greeting cards for that patchouli-scented side-street shop on “The Rain Song.” In a word: grand. –Rickey Wright
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